The Transformational Grammar of the Institutional Glorybowl Part III: Institute_Institut

by Panoply Performance Laboratory

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    Packaged in a grilled cheese sandwich bundle with "bread" sleeve, American-cheese-colored disc, and booklet, this approximates the desired effect for Act I - that of consuming a grilled cheese sandwich.

    Includes unlimited streaming of The Transformational Grammar of the Institutional Glorybowl Part III: Institute_Institut via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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about

Brian McCorkle and Esther Neff (Panoply Performance Laboratory) present their debut recording, The Transformational Grammar of the Institutional Glorybowl Part III: Institute_Institut, which premiered as a fully-staged opera in 2011. With a complex score freely blending abstract funk a la George Clinton with driving classical doom a la Louis Andriessen, textual voices pander, preach, plead, declare, and demand throughout this exactly 60-minute summary of hundreds of documentary interviews and public workshops theorizing relationships between institutions and embodied selves.

www.panoplylab.org
www.goldbolus.com

credits

released July 17, 2014

Recorded by PPL © 2014
Mastered by Caley Monahon-Ward

MUSIC: Brian McCorkle
CONCEPT/LIBRETTO: Esther Neff

SALLY: Jessica Jelliffe
MOMMY 1: Gelsey Bell
MOMMY 2: Lisa Clair
MOMMY 3: Brian McCorkle
GEORGE 1: Paul Pinto
GEORGE 2: Matthew Stephen Smith*
GEORGE 3: Brian Rady*
ANIMALS: Baxton Alexander, Jason Craig (documentary voiceover), Kristin Elliot,* Ellen O’Meara,* Esther Neff, Dave Ruder*
GODBRAIN: Adrian Owen*

CLARINET + GUITAR: Dave Ruder*
VIOLIN: Daniella Fischetti*
DRUMS: Cory Bracken
SYNTHESIZER/KEYBOARD: Brian McCorkle*

*originating performer

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Panoply Performance Laboratory New York

Panoply Performance Laboratory (PPL) is unbounded by discipline or field, we collect ourselves around processes, theorizing social systems, ideological structures, modes of production, and epistemic genealogies via actions, relational constructs, images, noise, text, interactions, and objects. ... more

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